Logic Pro The program can show a timeline view with appropriate region colors, track controls, or Smart Controls on a track-by-track or even plug-in basis such as compressor or EQ controls, or electric piano distortion. Tap on a knob, and you can slide a fader right or left to change its value, which makes sense given the thinness of the Touch Bar; you wouldn't want to try and actually tweak a knob that small in a circular manner. In addition, the Touch Bar supports hundreds of keyboard shortcuts, including customized sets, and you can use the Touch Bar to perform with small drum pads, piano keyboard scales, or even map MIDI continuous controllers to a slider for third-party plug-ins that use the mod wheel for expression, like Garritan Personal Orchestra or Spectrasonics Omnisphere.
The Touch Bar, along with Logic Remote on an iPad , further reduces the need for an expensive hardware transport and mixing controller that also takes up space on your desk. For years, Logic has delivered a seamless environment for recording live audio tracks, and that continues with the latest version. As before, you can record audio at up to bit, kHz resolution. The big news in This lets you create a project around a specific feel, and allows for things like a drummer rushing a tiny bit in the choruses for more energy.
It means you can stick everything on successive tracks to a grid without a metronomic feel. Smart Tempo is a little fiddly to get it working; you have to set the project to keep or adapt tempo, and then also set how recordings and import behave. But it worked well in testing; my wife clapped in a syncopated rhythm in Adapt mode, and Logic perfectly mapped out the grid lines and tempo map measure by measure.
I was then able to adjust the tempo up and down in individual measures simply by grabbing the line and moving the mouse, which was similar to how Logic's regular automation lanes work. I then imported in some clav loops and watched as Logic Pro adjusted the rhythms to follow the tempo map from the clapping exactly. This is a serious boon for live recordings of bands or singer-songwriters that want to get ideas down quickly and then also use them to form the basis of the final project, as opposed to having to do it all again later to a metronome.
Apple amped up Logic Pro X's built-in sound set considerably in Heading up the list of additions are Studio Strings and Studio Horns, both of which offer fine control of individual players and sound excellent in a mix context. Apple has created a new articulation system for legato, staccato, bowing, pizz, and other kinds of playing that not only works here, but also with third-party virtual instruments from Native Instruments, EastWest, and more.
The new strings and horns sound authentic, crisp, and clear, if more on the immediate close-miked side than in capturing any room ambience the way EastWest libraries work. So you'll need to add a reverb from within Logic. Apple offers a guide to the articulations that lets you set up keyswitches on an key keyboard, and you can also manage the articulations for different instruments and third-party libraries ; there are separate ones for the horns as well.
That said, even with all of this done for you and some nice patches set up in the Library, it's going to sound like "General MIDI " unless you take full advantage of the articulations and program the tracks in the right ranges. That's obviously true for third-party libraries too, although some offer more immediate gratification than others.
Studio Strings and Studio Horns are on the "spend some time with it to get it sounding natural" side.
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That said, they're free with Logic, and hopefully Apple will eventually flesh out the rest of the orchestra with articulations for woodwinds, brass, and percussion. The star of the show remains Alchemy, a full-blown additive, spectral, and granular synthesizer originally from Camel Audio. I had been meaning to buy a copy of that synth for years to begin with; it used to cost several hundred dollars.
Apple redesigned the interface, reworked the filters for a fatter analog-type sound, and added support for importing EXS24 instruments; in A separate vintage keyboard and organ collection includes such niceties as B3-style drawbars, a vastly configurable Leslie simulator, and a suitcase-style electric piano, along with a new-for There are also plenty of guitar and bass amp simulators and effects included as well. EXS24 continues to be the workhorse sampler it has been for well over a decade, and provides the core workstation-style sample set, including drum kits and pianos.
Logic's venerable E-series plug-ins such as ES1, ES2, ES P, the EVP88 electric piano and so on serve up plenty of synthesizer and keyboard sounds, although many of these sound a bit thin when stacked against today's top plug-ins. That doesn't matter, because you also get Retro Synth, which provides fat-sounding imitations of subtractive, FM, and wavetable-based based vintage synths, and you can even drag any waveform into the wavetable module; the plug-in will automatically look for pitched information and transform it into a playable virtual instrument.
I've always been a fan of third-party drum plug-ins like Superior Drummer and EZdrummer, but it's tough to argue with the one built into Logic Pro X. Drummer is an artificially intelligent session player—one of 30, each with different styles, personalities, and drum kits for a distinctive groove. Drummer can follow other tracks for inspiration; for example, the bass player can set the groove for a performance, and Drummer will take cues from the bass track to figure out where to lock in the kick drum.
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You don't have to use Drummer for auto-generated grooves. If you're like me, though, you'll want to program your own grooves. For that, it sounds great. The Producer Kits include excellent-sounding, multi-channel mixes done by legendary engineer Bob Clearmountain—complete with EQ, compression, and additional processing and routing—and you can see all of the settings to learn what he did with the stock Logic plug-ins. Drummer can also do electronic music; you can dial up any number of styles and kits, from house and retro to hip hop and electro pop.
The interface changes, when appropriate, to something that models a drum machine or Akai MPC-style unit.
Logic Pro X
That said, many of the acoustic drum kits sound somewhat similar, with low tom tuning, highly compressed cymbals, and deeper sounds; in Overall, there are now 2, instrument and effect patches, including 1, sampled instruments, plus 10, loops. Most of the instruments are contained in a neat Library drawer that pack the instrument plug-in and separate effects already set up, which makes laying down new tracks a cinch.
The Loop Browser now supports the drag-and-drop of multiple loops simultaneously. Third-party plug-in support remains robust, and you can organize your favorite plug-ins into folders. In testing, as usual, I had no problems opening up and using major plug-ins I own like Spectrasonics Atmosphere and a series of East West Play-compatible orchestral and world-instrument libraries. Apple spent plenty of time catering to its higher-end customers over the past several updates.
The main mix console offers large faders, pan and other track controls, and as many inserts and sends as you need—once again, with a flatter, cleaner look. There are welcome analog-style VCA faders available. One sticking point is the metering; you can switch between pre- and post-fader, and Apple greatly smoothed out their responses in the past couple of point updates, but the meters themselves are still considerably smaller than what you get in Pro Tools, Steinberg Cubase , and other DAWs. But rearranging tracks in the Arrange view doesn't necessarily correspond with the Mixer.
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Some tracks particularly Auxes require complex workarounds like enabling automation and tweaking Track Stacks just to get them to scoot over on the mixing board to where you want them. Other DAWs handle this more seamlessly. At the top of each channel strip, the built-in console EQ really just pops up the EQ plug-in, which offers eight bands, plus configurable Q settings and customizable low-pass and high-pass filters. It offers enough musicality for rounding out the high-end of an electric bass or tightening up the boom of a loosely tuned kick drum.
The bit summing engine sounds great. There are now busses available instead of , and there's a true stereo panning option that lets you adjust the individual left and right levels instead of just attenuating either left or right signal. New for Several new effects arrive in version ChromaVerb is a beautiful plug-in that delivers algorithmic reverb programs along with a colorful visual component, letting you see and shape the reverb tail.
ChromaVerb offers lots of sweet-sounding patches, including Collins Gate they're playing my 80s song! And with Logic Pro X The new Phat FX and Step FX both add warmth, punch, and presence to your drum, bass, and synth tracks along with rhythmic elements; these plug-ins are derived from work with the Apple-owned Camel Audio. Finally, a new Tube EQ plug-in does for the equalizer what Logic's awesome compressor did for, well, compressors. Tube EQ contains several models that mirror famous Neve, API, and Pultec hardware, and each adds a distinctive character to the sound that you can't get from the usual parametric EQ.
As before, you can write automation to regions, which makes it much simpler to move around and arrange your project without destroying recorded fader and knob movements. There are Relative and Trim modes for adjusting existing automation data; you can use them to ride a fader and smooth out an edit.
Region Gain is similar to Clip Gain, one of my favorite features in Pro Tools; it makes it easy to quickly adjust a region that for whatever reason is recorded at a different level, without having to resort to inserting a plug-in or a destructive edit. It requires a few more clicks than Pro Tools does, though. Fades are generated in real time, rather than stored as separate audio files with your project, which greatly simplifies file management. You can also finally apply fades to multiple regions simultaneously—a single change that can make sound design or track editing much faster.
Top 3 Ways to Record Audio on Mac
Flex Pitch and Flex Time make quick work of tuning vocals and fixing mistakes in recorded audio tracks. Flex Pitch in particular is a great freebie if you're used to working with an entirely separate app like Melodyne or needing to budget for one.
I've used it extensively by this point, and with careful edits, I find it to be as transparent as you could possibly want, and I love not having to export and re-import tuned vocals each time. Logic's main Compressor continues to shine, with its VCA transparent solid state , FET, and Opto tube-like modes, which behave differently and provide exactly the kind of warmth and crunch you'd expect from actual vintage hardware when called for.
Based on my own experience, I will introduce you a few of the well-known programs used for audio recordings on Mac. According to my rule, the best comes first. It has powerful recording capabilities, and runs very well on Windows and Mac. So, using this online audio recorder for Mac, you are only required to click Start Recording button and record any sound on your Mac. Before recording, there are some matters you need to pay attention to. In general, this audio recorder will record and save audio as MP3 format by default. In addition, it allows you to convert audio files and offers convenient assistance with creating schedule tasks.
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And this free audio recorder for Mac must be downloaded before use. Even so, many Mac users still like it, because it is easy to operate, just one click, and you will get the sound as you want. To record high-quality audio from Mac, you need a really professional audio recorder for Mac.
And Streaming Audio Recorder just belongs to one of them. Aside from recording all sound on your Mac, it has other extra features, for example, convert audio format, edit audio with your own style, burn CD, tune in online radio station and extract audio from online videos. It can use them at your convenience.
After giving an overall introduction to its functions, now it comes to the step of how to use it. As long as the audio is normally played on your Mac, you just click On button to start recording. Or you can also do some customized settings before that, like General settings , Record settings and Download settings. All these can be easily realized if you had an audio recorder just take it now!
What is a good Audio Recorder for Mac?